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Paul Celan (1920–70) is one of the best-known German poets of the Holocaust; many of his poems, admired for their spare, precise diction, deal directly with its stark themes.
Austrian writer Ingeborg Bachmann (1926–73) is recognized as one of post–World War II German literature’s most important novelists, poets and playwrights. It seems only appropriate that these two contemporaries and masters of language were at one time lovers, and they shared a lengthy, artful and passionate correspondence.
Collected here for the first time in English are their letters written between 1948 and 1961. Their correspondence forms a moving testimony of the discourse of love in the age after Auschwitz, with all the symptomatic disturbances and crises caused by their conflicting backgrounds and their hard-to-reconcile designs for living—as a woman, as a man, as writers. In addition to the almost 200 letters, the volume includes an important exchange between Bachmann and Gisèle Celan-Lestrange, who married Celan in 1951, as well as the letters between Paul Celan and Swiss writer Max Frisch, who was Bachmann's lover for four years.
‘Wieland Hoban has worked with accuracy and determination to capture the nuances of style and register, which include oblique awkwardness (Celan) and self-assuredness (Bachmann), alongside infinite courage and astounding strength (Celan-Lestrange). The translation reads well, with just a slight edge of the original diction remaining to remind readers that we are witnessing a different time and place, and way of perceiving the world. . . . This is an important addition tot he w
Correspondence
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Description:
Description:Paul Celan (1920–70) is one of the best-known German poets of the Holocaust; many of his poems, admired for their spare, precise diction, deal directly with its stark themes.
Austrian writer Ingeborg Bachmann (1926–73) is recognized as one of post–World War II German literature’s most important novelists, poets and playwrights. It seems only appropriate that these two contemporaries and masters of language were at one time lovers, and they shared a lengthy, artful and passionate correspondence.
Collected here for the first time in English are their letters written between 1948 and 1961. Their correspondence forms a moving testimony of the discourse of love in the age after Auschwitz, with all the symptomatic disturbances and crises caused by their conflicting backgrounds and their hard-to-reconcile designs for living—as a woman, as a man, as writers. In addition to the almost 200 letters, the volume includes an important exchange between Bachmann and Gisèle Celan-Lestrange, who married Celan in 1951, as well as the letters between Paul Celan and Swiss writer Max Frisch, who was Bachmann's lover for four years.
‘Wieland Hoban has worked with accuracy and determination to capture the nuances of style and register, which include oblique awkwardness (Celan) and self-assuredness (Bachmann), alongside infinite courage and astounding strength (Celan-Lestrange). The translation reads well, with just a slight edge of the original diction remaining to remind readers that we are witnessing a different time and place, and way of perceiving the world. . . . This is an important addition tot he w
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